documentary

Die Gentrifizierung bin ich. Beichte eines Finsterlings

A humorous essay film which addresses habitation, space, density, gentrification and urban development. The documentary follows autobiographical elements: the author’s diverse living environments, beginning with his childhood in the richest part of Zurich to squats in the filthiest parts of the town, shared flats and yuppie abodes, as well as his various dwellings in such metropolises as Tiflis and Mexico City. Then the author becomes a father and moves to São Paulo in order to provide his children with Brazilian passports. While in perfect Switzerland the populist right is getting stronger, the author uses examples like Tbilisi and São Paulo to show how laissez-faire and vertical cities can provide the space that is needed for a growing population. Mocking ideological styles and fashion the film asks: How did we end up where we are now? And how can we build a better future?

Synopsis

A humorous essay film which addresses habitation, space, density, gentrification and urban development. The documentary follows autobiographical elements: the author’s diverse living environments, beginning with his childhood in the richest part of Zurich to squats in the filthiest parts of the town, shared flats and yuppie abodes, as well as his various dwellings in such metropolises as Tiflis and Mexico City. Then the author becomes a father and moves to São Paulo in order to provide his children with Brazilian passports. While in perfect Switzerland the populist right is getting stronger, the author uses examples like Tbilisi and São Paulo to show how laissez-faire and vertical cities can provide the space that is needed for a growing population. Mocking ideological styles and fashion the film asks: How did we end up where we are now? And how can we build a better future?

Crew

Thomas Haemmerli

Writer, Director
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Born in Zurich. Joint Swiss and German citizenship. Studied Philosophy and Jurisprudence. Worked in advertising and for television stations. Works as French correspondent, author and columnist.

Mirjam von Arx

Producer
Mirjam von Arx

Mirjam von Arx studied journalism and worked for close to two decades as a writer for various magazines. In 1991, she moved to New York and started directing her first films. She founded ican films in 2002, through which she has produced several award-winning theatrical documentaries, including VIRGIN TALES, winner of the Zurich Film Prize 2012 and finalist of the Maysles Brothers Award 2012, and THE SCENT OF FEAR (2022) which is narrated by Katja Riemann and Oscar nominee Sophie Okonedo and won the Migros Culture Percentage Swiss Documentary film competition. Her latest film HOME IS THE OCEAN (2024, directed by Livia Vonaesch) had its world premiere at the Int. Documentary Competition of the 20th Zurich Film Festival 2024.

Mirjam von Arx is a member of the European Film Academy and the Swiss Film Academy.

Daniel Cherbuin

Editor

Daniel Cherbuin learned audio-video electronics ab initio. At the beginnings of commercial television he was the creative force of Sputnik-TV, an innovative and experimental channel emerging from Zurich’s underground techno scene. Cherbuin has been converting music into clips and visuals in ingenious ways for numerous bands, namely Yello and Division Kent. Various collaborations with Thomas Haemmerli, for art and experimental films and even one cine-film. For umpteen years Cherbuin has been staging the intersection of alternative art spaces and underground parties with his video installations. In doing so Cherbuin’s oeuvres impress with highly innovative montages, idiosyncratic alliances of images, as well as an anarchic tenor: with irony, and pastiche Cherbuin is mocking the blasé in commerce and culture and smoothes the sublimes and ponderous of the art system away.

Peter Bräker

Komponist und Sounddesigner

Peter Braeker wurde am 17. April 1958 in Biasca /Ti geboren. 1981 arbeitete er als Tontechniker und Geraeuschemacher beim Schweizer Fernsehen DRS.Seine Laufbahn begann er mit Werbespotvertonungen und Jingels fuer das SF DRS.Seit 1990 ist er freiberuflich als Sounddesigner und Geraeuschemacher taetig.
Peter Braeker lebt und arbeitet in Zuerich

Stéphane Kuthy

Director of Photography

Stéphane Kuthy wurde 1968 in Paris geboren. Nach seinem Filmstudium an der ECAL in Lausanne war er als Kameraassistent tätig. Als Kameramann hat er ein Dutzend Kinofilme, darunter “Die Herbstzeitlosen” und “Tannöd” von Bettina Oberli, “Jeune Homme” von Christoph Schaub und “Töte Mich” von Emily Atef sowie mehrere Fernsehfilme gedreht. Dazu hat er rund zwanzig Dokumentarfilme fotografiert, wie “Die Frau mit den 5 Elefanten” von Vadim Jendreyko oder “The Guantanamo Trap” von Thomas Wallner. Er doziert regelmässig an Filmschulen. Stéphane Kuthy lebt in Zürich mit seiner Familie.

Weitere Infos und Filmografie: www.stephanekuthy.com

Jean-Pierre Gerth

Ton

Jean-Pierre Gerth, geboren 1967 in Gossau (SG), entdeckte mit 12 Jahren eine magische Anziehung zu Klängen und Instrumenten. Er begann erste Klangerzeuger selber zu bauen, erst im akkustischen, später auch im elektrisch verstärkten und elektronischen Bereich.
Nach einer absolvierten Berufslehre und dem Vorkurs der Jazzschule St.Gallen, folgten Jahre des Musizierens und Lernens. IMMER IM FOKUS DER KLANG.
Seit 2001 arbeitet Jean-Pierre Gerth als freischaffender Film-Tonmeister und lebt in Zürich. In seiner Funktion als Tonmeister wirkte er in zahlreichen Dokumentar- und Spielfimen mit, die teilweise national und international ausgezeichnet worden sind.

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